Lorenzo Costa, Adoration of the Child and Saint Nicholas of Tolentino, 1491-1493 caOil on panel In front of the ruined hut, is the Holy Family. Jesus, naked, is lying on the ground, on a mat folded on one side to build a pillow for the little one, in front of him are the Virgin, kneeling and with her hands crossed on her chest, in an evident gesture of adoration to the Son, and Saint Joseph, old and as if tired, all dressed in yellow, leaning on his staff. More than a Nativity, it is a real Adoration of the Child, a customary iconography in the fifteenth century, especially after the story of the Vision of Santa Brigida. In this case, however, the saint is not present but an Augustinian friar, recognizable by the black habit, on which stands an anthropomorphic sun that identifies the character with St. Nicholas of Tolentino, the most important thaumaturge of that order, canonized in 1446.Behind the saint opens up a sunny landscape that gently slopes towards the horizon.Splendid painting enjoys an almost perfect state of conservation which makes it easy to read and even to study, revealing a quality sustained in many points and above all in the faces of the characters. One of the highest Renaissance painters in Ferrara is the author of this panel, Lorenzo Costa, who may have painted this Adoration in his youth, perhaps at the time of his apprenticeship with Francesco Francia. Oil on wood 50,5 x 41,5 cm