口径：11cm 本品敞口，弧腹，至底微收，圈足。内饰白釉，光素无纹，釉面匀净，细腻若脂，触手光润。外壁施珊瑚红釉为地其上以缠枝花蔓有规则地布列围成心形开光，色彩明艳，釉面饱满，中央黄地开光内饰粉彩牡丹纹，笔触精巧细致，红黄二色对比强烈，更加突出了画面的立体效果，色彩华丽，具有浓郁的宫廷气息。底书“大清道光年制”六字篆书款。此碗在纹饰绘製上借鉴了西洋技法，而又以传统牡丹花卉作为主题纹饰，中西合璧，完美地把西方优秀绘画技法与中国式审美品位相结合，从而融汇出具有独特艺术魅力的瓷器佳品。极尽装饰之能事，敷彩华丽，设色鲜艳，对比强烈夺目，绘製跳脱出了刻板的传统花卉纹样，富于变化，立体感极强，令人一见难忘。优美典雅，考究精致，成为道光官窑中不可多得的上佳之品。此碗画工精细，富丽典雅，器形秀美轻盈，釉质光润如玉，图案绘製精湛，色彩艳丽，与精美纹饰融汇完美，赏心悦目，体现了御用宫廷製器的不凡气派，实为道光粉彩器的精品。其以康熙珐琅彩绘画风格描绘纹样，故宫博物院及藏有类似之康熙珐琅彩藏品，可供参考。 参阅：《故宫博物院藏文物珍品大系·珐琅彩·粉彩》第4页，图2。 Qing daoguang Red ground pink flower bowl Caliber: 11cm This product is open, arc abdomen, to the bottom, close slightly, circle foot. Interior white glaze, plain, even glaze, delicate as fat, smooth touch. The outer wall is decorated with coral red glaze, on which the tangled branches and flowered vines are arranged in a regular way to form a heart-shaped open light. The color is bright, the glaze is full, and the central yellow open light is decorated with the pink peony pattern. The strokes are exquisite and meticulous, and the red and yellow colors have a strong contrast, which highlights the three-dimensional effect of the picture. The color is gorgeous and has a strong court atmosphere. At the end of the book, "daoguangnian system of the Qing Dynasty" six character seal script. This bowl draws lessons from western techniques in the pattern drawing, and takes traditional peony flowers as the theme pattern, combining Chinese and western, perfectly combining western excellent painting techniques with Chinese aesthetic taste, so as to merge the porcelain with unique artistic charm. Make the most of the decoration, apply the gorgeous color, set the bright color, contrast is strong and eye-catching, draw the traditional flower pattern out of the stereotype, rich in change, strong sense of three-dimensional, unforgettable. Elegant and exquisite, it has become a rare and excellent product in Daoguang official kiln. This bowl is exquisite, rich and elegant, beautiful and light in shape, smooth as jade in glaze, exquisite in pattern drawing, gorgeous in color, perfect in combination with exquisite ornamentation and pleasing to the eyes. It embodies the extraordinary style of imperial court utensils, and is actually a masterpiece of Daoguang pastel utensils. It depicts patterns in the style of Kangxi enamel painting. The Palace Museum and similar Kangxi enamel collections are available for reference. Please refer to page 4, figure 2 of enamel and pastel, a collection of cultural relics in the Palace Museum.