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Home > Auction >  Art of the Islamic and Indian Worlds including Oriental Rugs and Carpets >  Lot.81 KRISHNA RUSHES TO GREET SUDAMA IN DWARKA KANGRA, NORTH INDIA...

LOT 81 KRISHNA RUSHES TO GREET SUDAMA IN DWARKA KANGRA, NORTH INDIA...

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佳士得

Art of the Islamic and Indian Worlds including Oriental Rugs and Carpets

佳士得

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KRISHNA RUSHES TO GREET SUDAMA IN DWARKAKANGRA, NORTH INDIA, CIRCA 1800-10KRISHNA RUSHES TO GREET SUDAMA IN DWARKAKANGRA, NORTH INDIA, CIRCA 1800-10An illustration from the Bhagavata Purana, opaque pigments heightened with gold on paper, set within dark blue borders and splashed pink margin, the reverse inscribed in pen and pencil, flyleaf with 4ll. black devanagari with key words in red, reverse plainPainting 6 5/8 x 9 1/2in. (17 x 24cm.); folio 8 7/8 x 11 3/8in. (22.5 x 29cm.)Sudama, a poor Brahmin, was a childhood friend of Krishna. He fell on hard times and, after initially resisting, gave into his wife's pleas to visit Krishna and ask for help. She packed a bundle of rice to be given as a present and encouraged Sudama to meet Krishna in his palace at Dwarka. On his arrival, Krishna was so elated to see his old friend that he rushed to embrace him. Krishna was so taken by Sudama's generosity in offering a gift despite how little he had that he transforms his ramshackle hut into a palatial mansion.The story of Sudama and Krishna from the Bhagavata Purana proved popular inspiration for Pahari painters and many similar scenes can be found. Two scenes from a Garhwal series of 1775-90 are in the Victoria & Albert Museum (IS.548-1952 and IS.549-1952). A very similar painting from the story, showing Krishna treating Sudama as his guest in the palace, was sold at Sotheby's Paris, 18 November 2013, lot 124. That painting has a similarly depicted Sudama, in tattered grey clothes and thin black moustache whilst Krishna appears in similar orange jama and golden arm bands. Attributed as Kangra, circa 1800, these two might even have come from the same series.细节 KRISHNA RUSHES TO GREET SUDAMA IN DWARKAKANGRA, NORTH INDIA, CIRCA 1800-10An illustration from the Bhagavata Purana, opaque pigments heightened with gold on paper, set within dark blue borders and splashed pink margin, the reverse inscribed in pen and pencil, flyleaf with 4ll. black devanagari with key words in red, reverse plainPainting 6 5/8 x 9 1/2in. (17 x 24cm.); folio 8 7/8 x 11 3/8in. (22.5 x 29cm.)

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