ZEZISLAW BEKSINSKI 1929-2005 POLISH GICLEE PRINT. Classic Beksinski. Reproduced on heavy archival watercolor stock, this dark fantasy giclée print is signed and numbered by Zdzislaw Beksinski, Polish Master Surrealist. Measures 22in by 25in including 3in deckled white border. D and International 150 D. We can arrange door-to-door delivery to most east coast address and provide to check perior to pay. Zdzislaw Beksinski was born in Poland in the town of Sanok near the Carpathians Mountains in 1929. After a childhood was spent during the Second World War, Beksinski went on to university where he studied architecture in Cracow. Subsequent to this education he spent several years as a construction site supervisor, a job he hated, frought with pressures and countless boring details. He would soon throw himself into the arts. In 1958, Beksinski began to gain critical praise for his photography, and later went on to drawing. His highly detailed drawings are often quite large, and may remind some of the works of Ernst Fuchs in their intricate, and nearly obsessive rendering. Beksinski eventually threw himself into painting with a passion, and worked constantly, always to the strains of classical mic. He soon became the leading figure in contemporary Polish art.Beksinski and his family moved to Warsaw in 1977. The artist had many exhibitions throughout his native Poland and Europe. He rarely attended any of them. Bekinski's art hangs in the National Meums Warsaw, Sanok, Krakow, Poznan, and the Goteborgs Art Meum in Sweden. Much of his art is displayed in the Sanok Meum of art in his native city. Beksinki's remarkable drawings possess a strength in both mood and subject matter. Like his later paintings, they are intensely haunting and mysterio. The drawings, particularly, project a nightmarish quality reminiscent of the surrealist, Bohemian master, Alfred Kubin.Beksinski began painting in oils on masonite around the year 1970. His ability to manipulate the effects of light quickly became a hallmark of his work, and can only bepared with the renown abilities of William Turner. Beksinski's paintings aremasterfully rendered, monumental enigmans. One thing they share is an aesthetic of beauty so potent that it overpowers any desperate nature of the given subject matter, as is similarly the case with Swiss artist, H.R. Giger. The paintings as a whole are wonderfully dark, and allow the viewer to interperet them as they will, as they will certainly get no help from this particular artist. As Magritte said: ""The purpose of art is mystery.""Beksniski's paintings have grown less representational over the years and now seem almost abstract in nature. Color and texture and now the proncipal themes in themselves. Not so odd, as the artist began his career in the abstract realm. His recentputer art, however, continues the lineage of fantastic realism, and the artist never allows the technology to get in the way of that he is attempting to