LOT 3478 宋·龙行风雨仲尼式古琴
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3478宋·龙行风雨仲尼式古琴铭文:1.龙行风雨。2. 琅然仙韵,凤翔以鸣。进我先皇,弦歌南风。征明。文征明印(白)。说明:此仲尼式古琴通体髹黑漆,漆胎坚实,原配有螺钿徽、玉雁足。琴体修长匀称,肩在二徽处,由额至肩,由肩至腰,由腰至尾的三个部分转折有力,宽窄适度,比例协调。背面开长方形龙池凤沼,龙池居腹部正中,凤沼在腰尾之际,双足定置于腰部中间,规矩有法,堪称宋琴典范。颈部草书琴名“龙行风雨”,龙池雁足之间,行书文征明诗句。宋代是继唐以后古琴史上的重要时代,继承了唐代优良斫琴传统,并有帝王公卿重视,文人学者喜爱,从而形成极具代表性的时代风格。较之唐琴体大、身圆、漆色富贵喜伏羲式的时代风格,宋琴体形渐趋扁平狭小,至中晚期之琴多呈肩耸而狭,尤以仲尼式为然,所以又有“唐圆宋扁”之说。原配玉轸及棉麻琴套。SONG DYNASTY A 'ZHONGNI'-STYLE GUQIN INSCRIBED BY WEN ZHENGMING琴长:115cm额宽:18cm肩宽:19cm尾宽:13.5cm隐间:86cmRMB: 800,000-1,200,000款者简介:文征明(1470~1559),初名壁,字征明,更字征仲,号衡山、停云,别号衡山居士,斋名停云馆,江苏苏州人。贡至京师,授翰林院待诏。文师吴宽。书学李应祯,擅行草与小楷,尤其小楷温纯精绝。绘画初师沈周,后致力于赵孟頫、王蒙、吴镇诸家,于山水、人物、花卉无所不精,是继沈周之后吴门画派的领袖。与沈周、唐寅、仇英合称“明四家”。
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2021年1月12日-14日
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B厅:杭州国际会议中心洲际酒店一楼(杭州厅)
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